Yule Wishes, Happy Winter Solstice and Seasons Greetings
The magick and spirit of the season is the Continuity of Life, Protection, Prosperity all symbolic of the evergreen. And so let the season of magick fill your heart, home and family with grace, love, joy, peace and gratitude this holiday season. May this magick be your guide to all your endeavors, opportunities and all the possibilities coming in for you in every aspect of your life. We thank you our followers and supporters for your continued support and being part of Nisha Designs journey. And wish you all Happy Holidays, Merry Christmas and a Happy New Year from our heart to yours- Nisha Desai
Goats were first used as a symbol of fertility, virility, and lust, but then they started to be identified with meanings such as independence, ambition, persistence, and disobedience.
Cashmere or cachemire is a precious textile fiber generated from the hair of Capra hircus, commonly called cashmere goats (Kashmir goats), which are raised in countries such as Iran, Russia, Afghanistan, Turkey and India. However, its name comes from Kashmir, a historical region currently divided between India, Pakistan and China, from where it has been exported to Europe since the beginning of the 19th century. The finest and most valuable cashmere in the world comes from the highlands of Inner Mongolia and is distinguished by the high fineness of the fibers, by the length and uniformity. In outer Mongolia, north of the Gobi desert, there is the production of the “brown” fiber, while in inner Mongolia, in the south, the more precious “white” fiber is produced.
Luxurious fiber par excellence, the hand of cashmere is soft, silky and velvety, it gives a warm and fluffy sensation. The thinnest and finest part is the down of the undercoat and is called duvet, that is the soft and woolly lower layer; the thickest part with stiff and rough hairs comes from the outer coat and is called giarre. To collect it, the coat is manually combed during the moulting season, which takes place in spring. The production averages between 100 and 200 grams of fine hair for each adult animal.
Nisha Designs partners with one of the best companies in the USA offering great quality down and feather. Please be assured that all of our products have been tested and certified against animal cruelty.
Native Americans used a variety of materials to make their tepees, but one of the most common was buffalo hide. They would use the hide to make the canvas for their tepees by stretching it over a wooden frame. The hides were typically tanned and dried before being used, which would make them more durable and resistant to the elements. Some tribes also used other materials such as cedar bark or grasses to make their tepees.
Certainly! Tepees, also known as tipis, were traditional dwellings used by many Native American tribes, particularly those of the Great Plains region. Here are some additional details about the materials and construction of tepees:
Buffalo Hide: The most commonly used material for tepee coverings was buffalo hide. The hides were obtained from hunting buffalo, which were a vital resource for Plains tribes. Buffalo hides were durable and provided excellent protection against the elements.
Tanning: Before using buffalo hides for tepee coverings, they underwent a tanning process. Tanning involved removing the hair and treating the hide to make it more pliable and resistant to decay. Different tribes had their own tanning methods, which often included soaking the hides in a mixture of water, brain matter, or other natural substances.
Structure: Tepees were conical in shape, with a frame made of long, flexible poles. The poles were usually made from wooden saplings or branches, which were bent and fastened together at the top to form a cone. The buffalo hide was then draped over the frame, forming the tepee’s covering.
Lacing and Adjustments: The edges of the buffalo hide were typically laced or tied together using strips of rawhide or other sturdy materials. These laces allowed for adjustments to be made to the tepee, such as tightening or loosening the covering to regulate airflow or accommodate smoke holes.
Insulation and Decoration: Inside the tepee, additional layers of buffalo hides or furs were often used for insulation and comfort. The inner walls of the tepee were adorned with colorful paintings, symbols, and personal or tribal designs, which added both aesthetic appeal and cultural significance.
It’s worth noting that while buffalo hide was commonly used, other Native American tribes in different regions utilized different materials for their dwellings. For example, tribes in the Pacific Northwest often constructed cedar plank houses, while tribes in the Southwest built adobe or stone structures.
The tepee was a versatile and practical dwelling, well-suited to the nomadic lifestyle of many Plains tribes. It could be easily assembled, disassembled, and transported to new locations as the need for hunting, gathering, or seasonal movements dictated.
Textiles created by South, Central and North American Indigenous groups make up nearly half of The Textile Museum Collection. Among the most notable are eighth- and ninth-century Peruvian tunics and fragments from the Wari Empire, as well as late pre-Hispanic styles from Peru’s north (Chimu), central (Chancay) and south (Ica) coasts. Also represented are 20th-century weavings from Ecuador, Peru and Bolivia that continue pre-Hispanic traditions.
From Central America, we have textiles from over 50 villages in Guatemala, and a large collection of molas by the Kuna people of Panama.
Our small collection from North America includes sarapes, rebozos and village costumes from Mexico, as well as textiles representing Navajo, Pueblo and Tlingit traditions.
Man’s tunic, Peru, Chimu style, c. 1300-1400, 91.849.
Woman’s ceremonial overhuipil, Guatemala, Santa Apolonia, c. 1900, 1964.65.6.
Man’s tunic, Peru, Wari style, c. 700-900, 91.341.
Woman’s blouse panel (mola), Panama, San Blas Islands, Kuna people, 1960s, 1985.56.16.
Fragment from a woman’s dress, Peru, Chancay style, c. 1400-1570, 91.428.
Child’s mantle, southwestern United States, Navajo people, c. 1870, 86.6.
Man’s tunic, Peru, Wari style, c. 750-900, 91.343.
Man’s poncho, found in the Ica Valley, c. 1400-1570, 1969.43.1.
It is classic, timeless and always trendy. The wool felt Watson captivates with its soft, supple texture. Its melange gives it the typical appearance of a felted wool fabric. The color range extends from natural tones and shades of grey to some strong colors such as orange, apple green and pink. Sound absorber class A