High-System PU (Polyuretan) Modern artificial leathers are coated with polyurethane (PU) instead of PVC, as PU is much more environmentally friendly in production, use and disposal. Conventional PU, however, has the disadvantage that moisture and bacteria can penetrate through the openness of the pores and thus permanently damage the PU. A new manufacturing process enables PU artificial leather to be produced with closed pores, so that there are no fractures in the surface – it is much more durable and hard-wearing. Our artificial leathers SOLO, KANO, JAGO, ENA and ROMY have been produced with this special PU manufacturing process, called High System PU.
Our modern faux leathers are also particularly soft and insensitive to soiling. They are quick and easy to clean. With over 300,000 rubbing cycles, our faux leathers are durable and robust. Due to their permanent bi-elasticity, the materials can be easily upholstered according to all processes customary in the upholstery industry. The advantages of High System PU faux leather are:
free of phthalate
high and permanent elongation
insulating against cold
PU is recyclable
Romy has a beautifully grained, matt surface that can hardly be distinguished haptically from genuine leather. The leather look is supported by warm natural shades.
Ena, on the other hand, is modern and bold with its smooth, metallic surface and strong accentuated colours. In addition to the classic metallic tones such as gold, copper and silver, strong tones such as orange and red stand out.
Jago has a natural leather apperance; its slight vintage look makes it extremely suitable for the furnishing of a modern hotel. It is ideal for headboards, bed surrounds and seating furniture of all kind. The authenticity of the faux leather is underlined by the colour range which concentrates on natural and grey tones.
Kano is a faux leather with a fine graphically embossed structure and a modern metallic sheen. The colour range comprises metal tones such as steel, titanium, silver and bronze as well as black and white.
Solo has a large colour palette with strong colours paired with natural leather tones. Solo is particularly beautiful in combination with upholstery fabrics from the DELIGARD series.
Colourline is an imitation leather made of PVC which is extremely durable. It stands out due its good resistance to weather influence, UV light, water, heat, cold and chemicals. 70 colours offer extensive design possibilities.
The permanent bio-active functional fabrics by DELIUS offer freshness and hygienic cleanliness. Silver ions which are firmly embedded in the fibre stop the growth of bacteria both within and outside the fibre. They thus protect against infections like MRSA in hospitals. DELICARE fabrics also reduce the formation of odours caused by microbes.
Frequent washing does not reduce the function unlike with normal finishes. This is typical for DELIUS: the function is contained in the yarn and is not subsequently imposed by a finishing process; this also holds true for the flame retardancy.
DELICARE furnishing fabrics
prevents the growth of bacteria (hospital bugs, staphylococcus aureus which cause MRSA)
reduce odours caused by microbes
are conducive to a better hygienic standard in rooms
are suitable for industrial washing
have a long lasting wash resistance
conserve energy due to longer washing intervals and a lower washing temperature
It’s nearly impossible to visit Tunisia without noticing the beautiful doors. They’re everywhere. I often found myself lost in an ancient medina only to look at my camera roll and realize I’d spent the last 30 minutes taking pictures of doors.
In Tunisia, doors are symbolic reflecting the fortunes and happiness of the families living inside. They are generally built of palm wood reinforced with sheet metal. They are decorated with black studded nails to create complex geometric patterns. Occasionally some doors come with more floral patterns owing to the European influence.
When I visited Tunisia, I was just blown away by these doors. They’re so beautiful, and every city I visited tended to have its own unique style and color. Most doors are blue, but I saw yellow, turquoise, red, and white.
Some of the most common symbols on the doors are the crescent star, minarets flowers, and fir trees. Some of the doors have large archways allowing for a person to enter on a horse without dismounting.
Many will claim that the best doors are in Sidi Bou Said – the Santorini-like coastal town just outside Tunis – but I found that beautiful doors are located throughout the country. You just need to wander down the right side street to find the real treasures.
Most of the doors have two knockers – one for the men and one for the women. The ones on the left are used by the women, and the ones on the right are used by the men.
Aren’t you a bit curious about decor trends from around the world? I am, and the idea of incorporating a few suggestions into our homes is actually something that’s happened for centuries in the most interesting of styles. 20 more words
I love this book collection. Our finest fabric collection book is here. Beautiful color combinations, textures, patterns. All of our fabrics are Inherent FR, passes NFPA701, IMO, CAL117 and high double rubs with excellent functions. The collection is a combination of our upholstery, acoustic, outdoor, indoor, drapery, furniture fabrics. It is fresh and trend forward. Our fabrics are in stock. Good delivery time. A must have collection for your library.
To get your book call or email Nisha Desai at 702.622.8321 or email to email@example.com
If you think of DELIUS you are probably thinking of the textile furnishing of hotels, senior residences, theaters, cinemas, etc. Are you also using our fabrics when planning sales areas, shops and commercial properties? If not please read on.
With our new store concept we are demonstrating where and how to use DELIUS fabrics in shopfitting; we also show you which fabrics are suitable for the different areas.
For most of its existence, the home textiles business—sheets, comforters, towels, et cetera—has been all about more. That took the form of everything from ever-higher thread counts (defying any known weaving technology) to bed-in-a-bag put-ups that approached the triple digits in their number of pieces, and towels that outweighed some bantam-weight boxers. More was better.
But recently, as evidenced by the wares on display at September’s New York Home Fashions Market, the industry has started to go in the opposite direction. After decades of excess, the business is finally discovering that less is, in fact, often more.
The twice-yearly trade show, held mostly in closed showrooms along Manhattan’s lower Fifth Avenue, is where big-box stores like Walmart, Macy’s, Bed Bath & Beyond and their retail brethren start buying next season’s goods. While shows in traditional market centers in Atlanta, High Point, Dallas and Las Vegas all feature higher-end soft home resources and bedding products, it is in New York where the bulk of the business in this $25 billion market segment is done.
Over the past few seasons, this sector has been in transition—working to bring to market products that appeal to the new generation of shoppers more concerned with attributes like sustainability, transparency and naturally sourced materials. It’s been an ongoing evolution, but the fall show made it apparent that the industry is heavily drinking this new Kool-Aid. In market introductions from suppliers large and small, several themes prevailed, reflecting these new sensibilities in core bed and bath products.
Sustainability and circularity: Bed and bath products have always gotten a bad rap for using too many natural resources in their production—water and land primarily—but the industry is making a concerted effort to move to a more sustainable model that emphasizes both recycled final products and individual components. Circularity, based on renewable resources as well as recycling, was a buzzword heard often in many showrooms, even if not everyone clearly understood what it meant.
Traceability: With the vast majority of home textiles products—at least 90 percent by most estimates—coming from the Asian production powerhouses of China, India and Pakistan, understanding the manufacturing chain for home textiles has often been a challenge. Using DNA marking, RFID tagging and other new technologies, vendors are now able to trace the raw materials in their products back to the growing fields, giving retailers and consumers alike a look into the entire production process.
Certification: Because there are no real regulatory or safety standards governing most soft home products, it’s always been a free-for-all on certifying products. Now, some international third-party organizations like Oeko-Tex and Global Organic Textiles Standard (GOTS) are gaining traction, often at the urging of retailers who want to offer a point of differentiation for their products. None of these labels are as well-known as established ones like the Good Housekeeping Seal of Approval or consumer electronics certifications, but they are rising in market prominence and placement.
Natural fibers and fabrics: Even though synthetic materials like polyester and memory foam are industry staples (suppliers and retailers have been wildly successful selling “micro-fiber” bedding even though it is essentially a descendent of polyester double-knit fabrics from the disco era), the raw material spectrum has dramatically increased recently, with tree-derived cellulose, linen, bamboo and other natural fibers. Cotton still maintains its overwhelming market share—but there, too, differentiators like Supima, Egyptian and Better Cotton Initiative (BCI) offerings are gaining in importance.
CBD: As part of a broader effort to jump on the health-and-wellness bandwagon, several companies introduced bedding products containing CBD extracts, either applied topically to the fabric or infused into the fibers. Without making explicit health claims—still very much illegal under U.S. laws, even as CBD itself is legal throughout the country—companies certainly implied that these products were good for you. The first wave will hit the market possibly as early as this holiday season, giving the industry a better read on consumer acceptance.
All of this attention to technology, innovation and product performance stands in stark contrast to earlier eras. Yes, there was fashion and, yes, there were plenty of designer names, but today the industry clearly is taking a different tack—one that strips products down to their essential elements, prioritizing origin and ethics over thread count or frills.
In fact, the only real exception to the less-is-more dictum came in the form of a novelty fad product, the weighted blanket. Countless companies showed heavy-weight blankets and comforters that supposedly promote better sleep. In that case, more is more. But nearly everywhere else, the less the better.
Warren Shoulberg is the former editor in chief for several leading B2B publications. He has been a guest lecturer at the Columbia University Graduate School of Business; received honors from the International Furnishings and Design Association and the Fashion Institute of Technology; and been cited by The Wall Street Journal, The New York Times, The Washington Post, CNN and other media as a leading industry expert. He was also a guest on the BOH podcast, and his Market Watch columnsoffer deep industry insights on major markets and product categories.
The interplay of a brilliant, fine warp and a voluminous bouclé yarn lends the upholstery fabric Harper an appealing, interesting appearance. Thanks to its soft handle Harper radiates pure homeliness. It is also extremely hard-wearing and can be universally used due to its wide range of colours (21 colours). Powdery relaxed tones are complemented by strongly contrasting colours: Black Plum, Bright Gold, Burnt Olive, Cranberry and Scarlet Red. Nutural colours such as a warm Shadow White and Biscuit contrast with a deep Black and are accentuated by metal tones.
Cara DELIGARD is the classic and elegant equivalent to our DELIGARD quality Deste. Both are particularly pretty in combination with our faux leather Ena und Romy. They are suitable for the furnishing of upmarket retirement homes and classical noble hotels. The diamond design offers an elegant sheen thanks to its noble satin construction; it is being accentuated by a pearly weft effect. Natural colours with strong undertones dominate the appearance of the upholstery fabric such as Light Petrol together with Mauve or Ochre-Red combined with a warm Silver-Grey. Cara has an elegant brightness due to the natural colour range with tones such as Shadow-White and Silver-Grey. The colour range is being complemented by a deep Night-Blue.